Movement
The signature pour
Metallic pigment worked while the resin is still open, drawn into currents that read like weather across the floor. No two square feet resolve the same way.
Hand-worked with a T-bar on the wet line
Metallic resin worked by hand while it is still open, drawn into currents that settle differently in every room. Seamless, without grout, without a single repeated square foot. Poured in homes, restaurants and flagships across the country by Derwin Scott.
Floors in the homes of recording artists, athletes and television personalities, and in retail, restaurant and hospitality spaces across the country.
Each one is a technique, not a color option. The difference between them is what the resin is doing while it cures, and that is decided by hand in the minutes before it sets. The same six run in a living room or a hotel lobby.
Metallic pigment worked while the resin is still open, drawn into currents that read like weather across the floor. No two square feet resolve the same way.
Color built up in successive layers so the floor holds light at different levels. Stand still and it is one color. Walk across it and it is three.
A deliberate collision of light and dark with a defined break between them. The most architectural of the finishes, and the one that photographs hardest.
Pigment misted rather than poured, so the transitions never resolve into an edge. For rooms where the floor should recede and the light should carry.
A veining technique that reads like cut stone without the grout, the seams, or the porosity. The closest thing to marble that is poured rather than laid.
A floor designed for the room it lives in and executed by Derwin personally. No reference sample, no repeat. The top of what this material can do.
For a home, enter the address and we read the property records ourselves. For a commercial space, tell us the square footage. Either way you see the range before you speak to anyone, in about ten seconds, with no obligation attached to it.
The two paths ask different questions, because a home and a restaurant are priced on different things.
Derwin Scott has spent his career proving that a poured floor can be a piece of work rather than a surface. His floors have been featured on HGTV, VH1, and WBAL.
The work runs from private residences to retail flagships, restaurants and hospitality interiors. Clients have included recording artists, professional athletes and television personalities, alongside operators who simply wanted a floor nobody else could have.
He is a part owner of Ghostshield, where the resin system he pours on is co-developed under his own name: Epoxy Max 100 DSD. Very few people in this trade make the floor and the material.
The studio works nationwide. Commissioned floors travel, because the pour is the part that cannot be delegated.